Number 16

Many of the great comments about Encounters’ 2015 artists have mentioned Rafael Berrio’s wood carvings in the garden, especially number 16! So, here it is! It’s a modern piece but connected to the soul of the land. It seems to belong to the time when people believed that the Earth was alive and needed different […]

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Mutation and Liberation

Miladys Parejo is showing the latest iteration of an installation that has mutated and sought liberation over the past four years. Her tree has stretched itself in new ways and it has entered the digital world. It is both present – the coils lay around our feet – but its image comes to us through digital transmission which enables […]

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A life that found meaning in mud

Naomi Márquez is more than 80 years young and still working on her ceramics in Caracas, Venezuela. This year Encounters has give over an entire room to show three pieces of her work and photographs of her, a film in which she talks about her life and work and a kiln in which works are transformed. […]

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iPad Art

Patricia Davenport is an established artist who has always been interested in the primitive in nature. At one time she produced huge, abstract canvases that often contained references to ancient symbols and signs. There were creaded with a mixture of materials, natural pigments and objets trove – like pieces of gold from women’s fabrics in […]

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Trust For Developing Communities visit Encounters

Steve Andrews is a Community Participation Worker for the Trust for Developing Communities. Steve has organised special visits to Encounters outside of our normal opening hours so that the wide variety of different artists’ work could be seen and discussed in a relaxed way.  

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From Bogotá’s Museum of Modern Art to Encounters

Recently Gaudi Este’s body of work was given its own exhibition in the Museum of Modern Art in Bogata. Her horses were too big to put in her suitcase! – but one of her sculptures of a dog is here as are two magnificant bronze statuettes. But, most importantly Gaudi is with us and, in […]

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